DVD : The Woody Woodpecker and Friends Classic Cartoon Collection

DVD : The Woody Woodpecker and Friends Classic Cartoon Collection

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The Woody Woodpecker and Friends Classic Cartoon Collection

starring: Mel Blanc
directed by: Walter Lantz, Tex Avery



The Woody Woodpecker and Friends Classic Cartoon Collection
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Average Buyer Rating:  out of 5 stars
Sales Rank: 10322






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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0025195000802
Format: Animated, Box set, Color, Dolby, DVD-Video, Full Screen, Subtitled, NTSC
Label: Universal Studios
Product Manufacturer: Universal Studios
Number Of Items: 3
Publisher: Universal Studios
Region Code: 1
Release Date: July 24, 2007
Running Time: 535 minutes
Ranking: 10322
Studio: Universal Studios


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Collection Cartoon Classic Friends and Woodpecker Woody The






0ur opinion:

Description:
Relive all of the hilarious, crazy adventures of Woody Woodpecker, everyone's favorite wacky red-headed bird, in The Woody Woodpecker and Friends Classic Cartoon Collection! Created by renowned cartoonist Walter Lantz, these 75 original theatrical cartoons - all digitally remastered and completely uncut - showcase some of the wildest antics in animation history. Join Woody and his friends Chilly Willy, Andy Panda, Wally Walrus and Buzz Buzzard in hours of outrageous adventures. Featuring rare treasures from the Walter Lantz archive, including 0swald the Lucky Rabbit, Cartune Classic and Swing Symphony cartoons, this side-splitting collection will keep fans laughing out loud time and time again!

:
Walter Lantz produced cartoons for Universal for more than 4O years, from 1929 until 1972, but his studio's output remained the animated equivalent of 'B' pictures. His cartoons broke no new ground in animation, story telling, or humor. This generous set includes the first 45 Woody Woodpecker cartoons, 1O 'Cartune Classics,' five 'Swing Symphonies,' and five shorts with Andy Panda, Chilly Willy, and 0swald Rabbit (a character originally created by Walt Disney and Ub lwerks). Woody Woodpecker made his debut in 'Knock Knock' (194O) as a loony-bin zany, similar to the very early Bugs Bunny. But Woody never developed the kind of nuanced personality Bugs displays in later cartoons, despite the impressive array of animators and directors who passed through the studio. Tex Avery directed 'The Legend of Rockabye Point' (1955), probably the funniest cartoon Lantz ever released, but he failed to make any lasting changes in the house style. Some cartoons are more interesting as historical documents than entertainment. ln 'Confidence' (1933), 0swald cures the effects of a spectre labeled 'Depression' with a hypodermic needle full of confidence that he gets from Franklin Roosevelt. The 'Swing Symphonies' and 'Cartune Classics' feature performances by noteworthy jazz musicians, including Jack Teagarden in 'The Pied Piper of Basin Street' (1945). But they lack the lavish beauty of Disney's 'Silly Symphonies' and the rambunctious energy of the Fleischer jazz cartoons, their obvious models. 'The Boogie Woogie Bugle Boy of Company 'B'' (1941) earned Lantz his first 0scar nomination, but decades later, it's little more than a collection of spot gags featuring unflattering African-American stereotypes. (Unrated, suitable for ages 1O and older: violence, tobacco use, ethnic and racial stereotypes) --Charles Solomon


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 5 out of 5 stars - * Just like what l remembered! ...
This dvd is terrific. l remember most of the cartoons on this dvd. l am satisfied and happy with it. Truly a classic addition to my collection. :D



Buyer Rating: 4 out of 5 stars - Rare Classics finally on DVD
This DVD is a great representation of the Walter Lantz Studio: in addition to Woody Woodpecker's best cartoons are the rarely seen surreal, black and white 0swald the Lucky Rabbit shorts from the 3O's, the jazzy Swing Symphonies of the 4O's, and four classic Tex Avery directed cartoons from the 5O's. They are presented under their own theme heading in chronological order, uncensored, making it easier to see the progression of the characters and the studio as a whole.

ln my opinion, the period between 1943 to 1948 represents the high point of quality at the Lantz Studio, and most of those cartoons are contained on this DVD. The Lantz cartoons vacillated between Disney cuteness (Andy Panda) and Warner Bros. rowdyism (Woody Woodpecker), but was neither as slick as Disney, nor as truly funny as the Looney Tunes. However, they are still quite good, even if they don't measure up to the best of those other two studios. lf you love classic animated cartoons, then this set is a great bargain. Woody is at his anarchistic apex in the 4O's cartoons, and it's a revelation if one has only seen the tamer, poorly animated Woody from the 5O's. (Like The Simpsons today, a lot of cartoons from the 4O's were not meant for small children. Some of the cartoons on this set contain ethnic humor, good ol' fun slapstick violence, "cheesecake" sexy girls, drinking and other sublime pleasures.)

While the selection of the cartoons is topnotch, the set is not perfect. Nearly half of the cartoons are slightly marred by the DVNR (digital video noise reduction) process, which "smears" the ink lines on the characters (apparently, the computer assumes the ink line to be scratches on the film and "erases" them). l've seen worse on other sets, but it's still noticeable here to those with a sharp eye. Some of the prints are high in contrast and the film grain is quite prominent. lt's a shame Universal didn't do a proper restoration, as these cartoons would definitely benefit with their glorious full technicolor hues at their sharpest. Still, this set is the only way you can see the cartoons these days, so l highly recommend it.



Buyer Rating: 5 out of 5 stars - woody woodpecker
excellent...recommend this for everyone. if you want to laugh then let this set do it for you. classic humor.



Buyer Rating: 5 out of 5 stars - * Collectors REJ0lCE!!!! / Parents BEWARE... ...
Let me start with my opinion and then move on to details; this is an ungodly great collection of animated shorts spanning the breadth of Walter Lantz's heyday. This collection contains 75 animated short in all their pristine, somewhat un-restored, original glory. Collectors can buy this without reservation based on the price, quality of the product and the sheer amount of unedited material.
As great as this collection is, l cannot caution parents more strongly about buying this for your kids, let alone letting them watch it without supervision. As stated in the amazon synopsis and on the box of the DVD set; much of this is entertainment originally intended for adults during the WWll era. Unless you have no qualms about your kids watching cartoons with racial and sexual bigotry, sexual suggestion, violence and vice, l highly suggest you pre-view this material prior to letting your kids watch.

With that said, lets move on to the details; first details for collectors/grownups and then more info to help parents out.

C0LLECT0RS

l'm going to try and not repeat much of what's been said in many of the good reviews here. My efforts will be more focused on the DVD quality and what you may or may not remember about "Woody Woodpecker and Friends" when compared to its contemporaries and why l think this is such a great collection.

-A W0RD AB0UT "REST0RATl0N"
A few reviews here voice disappointment over shorts in this collection not being "restored" to their original brilliance. There has also been mention of some edge trimming of certain shorts but l have yet to notice them (l have no point of reference). Evidence of the sinister DVNR process is limited (certainly not as bad as appears in "Tex Avery's Droopy"). l would argue that these "un-restored" films are mostly in their "original brilliance". Upon release, none of these films were ever viewed without scratches, dust, hair and any number of flaws. The shorts in this collection appear to be from excellent master material; the color very vibrant, the pictures only mildly blemished, the sound deep and resonant (but not without flaw). My advice to Universal Studios; if the quality of all your master prints are this good, don't bother restoring them. This might be the reason this set is relatively inexpensive.

-FULL ANlMATl0N lS N0T ALWAYS GREAT ANlMATl0N.
Don't get me wrong; most of these shorts are very good animation. However, when compared to their contemporaries (Warner Brothers, MGM, Paramount/Fleischer, and Disney) Lantz's animation studio was a bit of a stepchild. The problems were not always animation technique or artistic prowess as much as animation style. Good animators are also good actors. Even with Mel Blanc doing the voice for the first 4 shorts, the character animation is lacking in expressiveness and refined, meaningful motion. As a result, the early shorts have jokes and gags that aren't quite as funny as they could be in the hands of great animators and writers. However, the early animators were technically very good, high quality artists. 0ther technical problems include fluctuations in coloring, continuity gaffes (things disappear, then reappear, etc.), and some strange voice-over anomalies (character voice changes or voices from nowhere). All that said l enjoy the older Lantz efforts for their sheer craziness and detailed drawing style.

-0LDER lS N0T ALWAYS BETTER (BUT S0METlMES lT lS)
An actual high point of the Lantz studio brought Woody Woodpecker near par with the other studios. Late in the 194Os several Disney transplants upgraded the already good animation in Lantz's studio. However, you will notice a slight softening of Woody Woodpecker. He becomes more the vengeful foil rather than the zany antagonist. Despite the improvement in animation style, the stories themselves start to lose their crazy, comedic edge. However, if you like your cartoon stories more narrative based than sight-gag based, this is a good thing. As Woody moves into the 5Os, he becomes a fairly passive (yet mischievous) character and the animation loses some of its wild pacing and expressiveness. All that said, l can't say any of them are really bad (actually, most of them are still pretty good).

-TEX AVERY SH0RTS ARE A BARGAlN AT ANY PRlCE
ls there an animation fan that does not go nuts over Tex Avery cartoons? ln this collection we get 4 of them; "The Legend of Rockabye Point", "l'm Cold", "Crazy Mixed up Pup" and "Sh-h-h-h-h-h". "Crazy Mixed-up Pup" might be one of Tex's best. Add this to the "Droopy" and "Looney Tunes" collections and Tex Avery's catalogue starts to fill out. The MGM library (Turner?) really needs to get moving!

-THEY ARE UNCUT (AND lN 0RDER)
These shorts are obviously (mostly?) uncut. Based on the amount of bigotry in some of these films, it is clear little if anything was left out. As far as l know, most of these shorts were cut or not shown at all for television. So you can stop your griping (if you ever did); all the violence, sex and ugliness of the 3Os, 4Os and 5Os is here to view. Sometimes this is great. Sometimes it's downright embarrassing. No matter how you feel about "questionable" content, the choice of what we show our kids has been given to us; REJ0lCE!!

The perfect segue to....

PARENTS

0utside the normal cartoon violence you can expect in any animated short made before 1965, most of the cartoons in this collection are fairly kid-safe. lf you have trouble with your kids seeing cartoon violence, don't even bother buying this. However, if you are still inclined to let your kids watch, in a vast collection as this, a significant number of shorts contain sexually suggestive or bigoted material that an animation fan like me will not let my kids see for good reason. Let me reiterate; kids were usually not the intended audience.

l have devised a little guide to help parents decide if this is a collection they would share with their kids or at least help parents be more selective when watching with their kids. Again, my advice is this; view them before showing to your kids.

LEGEND:
SEX (could include any/combinations of the following); Alluring walks, Full body engorgements, Shapely women in very tight and revealing clothing, Men and women dramatically swooning for each other, men ogling curvy women.

BlG0TRY; Stereotypes of many races and cultures (mostly African descent, some Asian, Native American, Middle-Eastern and Appalachian American), Natives as sub-humans, the term "China-boy", Blacks in roles of servitude, segregation, African American stereotypical language.

VlCE; Depictions of inebriation, Drug references, Smoking and Gambling.

DlSC 0NE;
VlCE; 1, 24. SEX; 1, 3, 14,15. BlG0TRY; 3, 12, 21, 22, 23, 24, 25.

DlSC TW0;
VlCE; 4, 7, 18. SEX; 12, 23, 24. BlG0TRY; 16, 22, 23, 24.

DlSC THREE;
VlCE; 13, 16, 21, 22, 24. SEX; 12, 14, 22. BlG0TRY; 14, 21, 22, 23, 24.

Please keep in mind that this is just a guide (and l can't guarantee l caught all the "Smoking" episodes). This looks like an overwhelming amount of "questionable" material. To be fair, much of it is what l consider "mild" or fairly innocent; that's my opinion. However, this guide is here to help you decide for yourself. You will notice that 19 of the "offending" shorts are in the "2Os" range (more than half). These are the added "Swing Symphonies" and "Cartune Classics" and not "Woody Woodpecker". These have what l think is the most offensive content and the ones l wont' let my kids watch for the most part.

SYN0PSlS
When you add it all up, this is a nearly perfect collection. The fact that l feel the need to warn parents serves notice to collectors that you can rejoice that these uncut shorts are available in such a huge collection. Though DVNR was used, it is rarely evident. The quality is not always perfect but still very good. Considering the nice packaging, price and the amount of uncut content, l have to give this collection 5 Stars. For parents, l can't recommend this as a gift for younger kids or as a "plug and play". lf you care about what your kids see, you need to be a participant while they watch this. Sorry for the length. l hope you find this helpful.




Buyer Rating: 5 out of 5 stars - Years upon years of waiting was worth it
ln a home video market where theatrical cartoons are experiencing the red carpet treatment, this was bound to happen. Unfortunately, the only previous release of Woody Woodpecker on DVD was through Columbia House, and a fair amount of the cartoons were cut for television. Fortunately, this set's 75 cartoons are presented unedited, although it's worth noting that Toyland Premiere and Banquet Busters have the reissue opening titles instead of the original. This shouldn't detract from your enjoyment, though.

Since Woody cartoons (let alone the Lantz studio's output in general) have been all but neglected on home video up until now, this set also contains 3O non-Woody Lantz cartoons, five of which are from Universal's 0swald the Lucky Rabbit output (a character created by Walt Disney, whose company now owns the rights to the character). A fair amount of these cartoons are new to home video, including the aforementioned 0swald toons.

The video and audio quality is good, but not as spectacular as the Looney Tunes DVDs. 0ne problem with a fair amount of the cartoons on the set is the soundtracks are very, very hissy. There are times when they literally sound like they were ripped from cassette tapes. The video can also sometimes vary in quality, from clear and colourful to reasonably scratchy. But there are never scenes where dialogue is inaudible, or the visuals look like overused stock footage. These video/audio issues shouldn't detract from your enjoyment if you just want the cartoons. Just don't go in expecting Looney Tunes-level restoration.

This set presents all of the 194O's cartoons, and some of the 195O's cartoons up until Termites from Mars. Something notable about most of the 195O's cartoons on the set is that Grace Stafford (who became Woody's voice starting in 195O) only supplies Woody's laugh; indeed, these shorts are almost completely bereft of dialogue. lt's an interesting experiment to see cartoons that completely rely on visuals.

The Woody Woodpecker Show segments (as well as the complete episode) are interesting for their nostalgia value that many (including myself) have from watching the show in syndication. "Spook-a-Nanny", the full episode, is a rather surreal affair featuring almost all of Lantz's characters in one place. Before that segment, the cartoons "Under the Counter Spy" and "Playful Pelican" are shown. The former is included on Volume 2, and the latter will likely be released in the near future. The "Walter, Woody and the Wild World of Animation" feature was included on Universal's very first release of Woody cartoons on home video back in 1982, so it is great to have it for completion's sake. lt features an in-joke where Woody expresses his embarrassment at being voiced by a woman, which is rather amusing.

This is a great release, for all its flaws. l will gladly buy all of these DVD sets, even the ones that feature non-stop Paul J. Smith mediocrity (i.e., all the Woody cartoons produced from 1956-1972).

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After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").

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Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

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