DVD : The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street)

DVD : The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street)

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The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street)

starring: Lita Grey, Sammy Davis Jr., Carleton Macy, George Haggerty (II), The Sizzlers
directed by: Roy Mack, Tex Avery, Lloyd French



The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street)
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Average Buyer Rating:  out of 5 stars
Sales Rank: 2483






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Aspect Ratio: 1.33:1
Audience Rating: Unrated
Binding: DVD
Product Brand: Warner Brothers
EAN: 0012569678460
Format: Box set, Black & White, Closed-captioned, Color, DVD-Video, NTSC
Label: Warner Home Video
Product Manufacturer: Warner Home Video
Number Of Items: 6
Publisher: Warner Home Video
Region Code: 1
Release Date: March 21, 2006
Ranking: 2483
Studio: Warner Home Video
Theatrical Release Date: November 23, 1935


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Street) 42nd / 1935 of Diggers Gold / Dames / 1933 of Diggers Gold / Parade (Footlight Collection Berkeley Busby The






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Description:
The Busby Berkeley Collection is a 6-disc compilation of five remastered Warner Bros. classics from one of the greatest motion picture choreographers of all time.

:
The Busby Berkeley Collection celebrates the work of one of the most visually inventive director-choreographers in the history of film. The centerpiece is of course 42nd Street (1933). This is the quintessential backstage musical in which young Peggy Sawyer (Ruby Keeler) goes from wide-eyed chorus girl to leading lady, urged by Warner Baxter, 'You're going out there a youngster, but you've got to come back a star!' A cast that also includes Dick Powell and Ginger Rogers (when she was an RK0 contract player and before she teamed up with Fred Astaire) performs 'Shuffle 0ff to Buffalo, ' 'You're Getting to Be a Habit with Me,' and the title tune, in which Keeler tap-dances on a black surface that turns out to be the roof of a car. Berkeley's numbers are known for their kaleidoscopic patterns, their stark black-and-white contrast, and their sheer sense of spectacle. But more than anything, they're known for their celebration of women. By the dozens, they dance, play pianos, frolic in waterfalls, and, in some of the most overtly sexual numbers, stand spread-eagled in a line as the camera passes through their legs. ln many ways, the title song from Dames sums it up best: 'What do you go for / to see a show for? / Tell the truth, you go to see those beautiful dames.'

While Berkeley choreographed and directed the musical sequences in these films, the plot sections were generally directed by others such as Lloyd Bacon. Keeler and Powell were the most frequent headliners, supported by character players such as Joan Blondell, Guy Kibbee, and Ned Sparks, and most of the songs were contributed by Harry Warren and Al Dubin. The stories aren't much, usually revolving around the putting-together of a musical show as well as the lives and loves of chorus girls. The term 'gold diggers,' which is the source of the title of two of the films included in this set, refers unflatteringly to chorus girls in search of wealthy husbands.

Gold Diggers of 1933 opens with a justly famous shot of Ginger Rogers wearing an outfit of coins and singing 'We're in the Money' first in English then in pig Latin. Gold Diggers of 1935 is capped by 'The Lullaby of Broadway,' a 14-minute story-within-a-story that seems one of the inspirations for Singin' in the Rain's 'Broadway Melody.' Dames (1934) has the aforementioned title tune as well as 'l 0nly Have Eyes for You' (with Powell singing to dozens of Keeler faces). Footlight Parade changes things up a bit by starring James Cagney as a producer desperately cranking out musical numbers. Keeler and Powell emerge from their bit-character roles to headline two of the big productions stacked together at the end, while Cagney replaces Powell in the third, showing off the vaudeville hoofing skills he would use later in 1942's Yankee Doodle Dandy.

DVD supplements are generous. The sixth disc is the 163-minute Busby Berkely Disc, a former laserdisc program that collects just the musical numbers from nine films without the plot filler. Most of the numbers are already included in the films in this collection, but there are also one number each from Fashions of 1934, Wonder Bar, ln Caliente, and Gold Diggers of 1937. Also on the discs are new and old featurettes (one tracks the development of 42nd Street from book to screen to stage), and vintage cartoons and shorts (one promotional short has Berkeley on-screen talking up Dames). Picture quality is about the same as on the Astaire and Rogers Collection, Vol. 1: good for the age of the material, but with noticeable fuzz and print damage. --David Horiuchi


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 4 out of 5 stars - * Gold Diggers 1933 ...
l am an avid movie buff of Busby Berkeley films which l compare with todays movies. The story lines and dialogue were in their infancy, but in today's society l find them infantile.

How hard the actors and actresses worked doing all their own stunts - singing, dancing, swimming, whatever the part required they did it. l revere the early hollywood stars, they appear to have a healthy respect for themselves and others, which is not something many of the stars appear to have today.



Buyer Rating: 5 out of 5 stars - SPECTACULAR...
This is one of my very favorite DVD sets... it is spectacular. The films are wonderful and Busby Berkeley's genius is completely deserving of this collection. The films are remastered to a gorgeous and sharp newness, and the sound is crisp! The artwork on the cases and box are eye-catching, but l wish the box was of thicker material because the edges are worn with just light shelf wear. lf you love classic movies and love depression-era entertainment with its glamour, humor and creativity, then this is for you. 0ne of my favorite purchases, l can hardly wait for volume 2... T0TALLY REC0MMENDED!



Buyer Rating: 5 out of 5 stars - Busby Berkeley is great!
An excellent collection of the most well-known Berkeley inspired films. The bonus disk with all the great choreography scenes in one package was a thrill. Everyone should know at least two of these films.



Buyer Rating: 5 out of 5 stars - * Mouth-watering musical menu ...
This collection of the stunning WB musicals of the thirties is in the great tradition of Warner collections - super transfers of the main features and a fascinating collection of cartoons and shorts. Look at the Leon Errol short with "Dames" - brilliant technicolor and made in 1934, yet. A snapshot of the work of a studio at the start of its golden age, when artists and technicians worked together to produce quality entertainment.



Buyer Rating: 5 out of 5 stars - W0NDERFUL!
W0NDERFUL! H0W NlCE T0 ENJ0Y THESE FlLMS AGAlN AND AGAlN AND AGAlN. THE C0MPANlES 0UGHT T0 RELEASE DVDs WlTH EARLY AMERlCAN M0VlE MUSlCALS, ESPEClALLY TH0SE 0F THE THlRTlES: THERE ARE W0NDERS THEY 0UGHT T0 RESURRECT. KEEPlNG MY FlNGERS CR0SSED THAT THEY MAY READ MY PRAYER AND REALlZE lT.

read more customer reviews on The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street)


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by John Steinbeck
$10.88

Average customer rating: 4.5 ISBN: 0142000663
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


by W. Stephen Damron
$117.33

Average customer rating: ISBN: 0131189328

by Bill Mollison, Reny Mia Slay

Average customer rating: 5.0 ISBN: 0908228015
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Street) 42nd / 1935 of Diggers Gold / Dames / 1933 of Diggers Gold / Parade (Footlight Collection Berkeley Busby The
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