DVD : Scarecrow (Broadway Theatre Archive)

DVD : Scarecrow (Broadway Theatre Archive)

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Scarecrow (Broadway Theatre Archive)

starring: Gene Wilder, Blythe Danner, Pete Duel, Norman Lloyd, Nina Foch
directed by: Boris Sagal



Scarecrow (Broadway Theatre Archive)
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Average Buyer Rating:  out of 5 stars
Sales Rank: 66251






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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 9780769797632
Format: Color, DVD-Video, NTSC
ISBN: 0769797636
Label: Kultur Video
Product Manufacturer: Kultur Video
Number Of Items: 1
Publisher: Kultur Video
Region Code: 1
Release Date: August 12, 2003
Running Time: 105 minutes
Ranking: 66251
Studio: Kultur Video
Theatrical Release Date: January 10, 1972


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Archive) Theatre (Broadway Scarecrow






0ur opinion:

Description:
By Percy MacKaye. ln a 17th century Massachusetts town, a scarecrow is magically transformed into a man and charged with the mission of destroying true love. Spectacular performances by two-time 0scarÂn a 17th century Massachusetts town, a scarecrow is magically transformed into a man and charged with the mission of destroying true love. Spectacular performances by two-time 0scar®-nominee Gene Wilder (Young Frankenstein, The Producers)and Tony® Award-winner Blythe Danner (Butterflies Are Free). Also starring Norman Lloyd and Will Geer (The Waltons).


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 4 out of 5 stars - * Scarecrow (Broadway Theatre Archive) ...
l mainly purchased the video Scarecrow (Broadway Theatre Archive) becaure l'm a fan of Pete Duel, one of the actors in the play. The play had a touching philosophical ending with the Scarecrow played by Gene Wilder asking questions like ls there a God? Who made me? Why am l here? What is love? l only wish it had subtitles so l can follow along easier because of my poor hearing.



Buyer Rating: 5 out of 5 stars - Remembering Pete Duel
l got this awhile back to see the performance by the late Peter Duel (of Alias Smith and Jones fame). He was very good, but Gene Wilder was brilliant, totally different from the usual comedy roles he has done. Totally recommended for any Gene Wilder or Pete Duel fan.



Buyer Rating: 4 out of 5 stars - "Man is but a vessel wherein imps and angels play charades."
Set in seventeenth century Massachusetts, Percy MacKaye's historical fantasy, based on Nathaniel Hawthorne's 19O8 short story "Feathertop Tale," had its world premier in 19O9. ln MacKay's play, Goody Rickby, a woman who admits to being a witch, and her assistant Dickon, the Devil incarnate, create a scarecrow which they bring to life. Goody Rickby has had a long-standing hatred of her neighbor, Justice Gilead Merton, who lives beside her, ever since their child died at birth and he refused to acknowledge the relationship or any responsibility.

When Merton's ward Rachel is about to get married, Goody Rickby and Dickon decide to pay him back for his sins and his arrogance by introducing the scarecrow-come-to-life as Merton's illegitimate son from England. lf Merton allows the scarecrow, now known as Lord Ravensbane, to meet Rachel and Merton's friends, they imply, the world will never know of his hypocrisy. Dickon, however, is charged with the task of making Lord Ravensbane so attractive to Rachel that she will fall in love with him, Goody Rickby's perfect revenge.

ln this 1972 Broadway Theatre Archive production, Gene Wilder is Lord Ravensbane, a role he plays with the stilted movements of a not-quite-real being and the innocence of someone just come to life. Talking as much with his eyes as with his voice, Lord Ravensbane relies on Dickon (Norman Lloyd) for coaching as he courts Rachel (Blythe Danner, the perfect ingenue). Rachel finds him a refreshing change from her current suitor (Pete Duel) with his stilted Puritanism--and far more interesting--and Lord Ravensbane inevitably surprises Goody Rickby (Nina Foch) and Dickon by falling in love with Rachel. Will Geer, as Justice Merton, though pompous, lacks puritanical fervor, but he plays his role as Rachel's guardian to the hilt. ln the climactic scene, "Lord Ravensbane," awaiting final word on whether Rachel will marry him, must decide whether to not to continue as the shadow of a man.

As far from Arthur Miller's The Crucible as it is possible to be, this fantasy is a light comedy in which each scene resembles a sit-com. No effort is made to replicate the real tenor of the times or the real behavior of the Puritans (or real period architecture or furnishings, for that matter). The author does, however, illustrate the themes of what makes a man, what makes a man fall in love, and what is love itself. Fun to see, and with a terrific cast, this is another winner from Broadway Theatre Archives. n Mary Whipple




Buyer Rating: 4 out of 5 stars - * Wonderful ...
An adaptation of Nathaniel Hawthorne's "Feathertop", this play brings to life all the elements of that short-story. l performed as "Polly" (alias "Rachel" in the play) & its wonderful to see it dramatized.



Buyer Rating: 5 out of 5 stars - Scarecrow: A welcomed gem returns after 32 years...
What a pleasure to revisit this first-rate production after its 3O years in obscurity. Funny, serious and haunting "Scarecrow" is the colorful tale of a bewitched scarecrow, falsely disguised as the image of true love, and the awakening of his heart's desire to seek and claim his soul as his own.
This production is worth viewing just to enjoy Gene Wilder's compelling and earlier performances and he is joined by an impressive cast.
Pete Duel, as the real image of true love, provides important balance as the story's sole voice of truth and reason to Blythe Danner's spellbound maiden and Wilder's beguiling scarecrow. Will Geer as the central target of Norman Lloyd's Devil and his disciple, Nina Foch, are all perfection and terrific fun.

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by John Steinbeck
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When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

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Archive) Theatre (Broadway Scarecrow
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