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I Come in Peace

I Come in Peace

»rank: 3705

starring: Dolph Lundgren, Brian Benben, Betsy Brantley, Matthias Hues, Jay Bilas
directed by: Craig R. Baxley





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Tc 2000

Tc 2000

»rank: 14072

starring: Billy Blanks, Bolo Yeung, Jalal Merhi, Bobbie Phillips, Matthias Hues
directed by: T.J. Scott





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No Retreat No Surrender 2

No Retreat No Surrender 2

»rank: 13090

starring: Loren Avedon, Max Thayer, Cynthia Rothrock, Matthias Hues, Patra Wanthivanond
directed by: Corey Yuen





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Fists of Iron

Fists of Iron

»rank: 17027

starring: Michael Worth, Jenilee Harrison, Sam J. Jones, Marshall R. Teague, Matthias Hues
directed by: Richard W. Munchkin





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Mission of Justice

Mission of Justice

»rank: 18237

starring: Brigitte Nielsen, Jeff Wincott, Luca Bercovici, Matthias Hues, Karen Sheperd
directed by: Steve Barnett





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Fist Fighter

Fist Fighter

»rank: 22293

starring: Jorge Rivero, Edward Albert, Brenda Bakke, Mike Connors, Simón Andreu
directed by: Frank Zuniga





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Bounty Tracker

Bounty Tracker

»rank: 23296

starring: Lorenzo Lamas, Matthias Hues, Cyndi Pass, Eric Mansker, Brooks Gardner
directed by: Kurt Anderson





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Cyberzone

Cyberzone

»rank: 22772

starring: Cal Bartlett, Bob Bragg, Ray Bragg, Robin Clarke, Joe Cook (II)





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Digital Man

Digital Man

»rank: 28871

starring: Ken Olandt, Kristen Dalton, Adam Baldwin, Matthias Hues, Paul Gleason
directed by: Phillip J. Roth





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Kickboxer 2

Kickboxer 2

»rank: 32105

starring: Sasha Mitchell, Peter Boyle, Dennis Chan, Cary-Hiroyuki Tagawa, John Diehl
directed by: Albert Pyun





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The Lord of the Rings: The Fellowship of the Ring (VHS)only $ 0.99Bid Now!5d 6h 13m left!

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Open House takes a look at cities likely to recover first from the real-estate slowdown, a luxury boom in North Texas and Phoenix neighborhoods with high foreclosure rates.


When a business builds up its capital through earnings, part of the earnings disappear to taxes if not reinvested in the business before the end of the tax year, says CPA George Saenz.

A couple found a one-bedroom apartment in Paris with an unlikely price tag of 82,000 euros, or a little more than $112,000.

REHOBOTH BEACH, Del. -- The "no vacancy" signs outside hotels, sunburned families packing boardwalk amusement rides and thousands of students working in surf shops and souvenir concessions along the avenues suggest that the beach economy is booming this summer.

Personal finance expert Jean Chatzky explains why it's so important to build an emergency fund, as well as how to do it.

Cut your energy bills with these simple steps.






by S. P. Fjestad, Steven P. Fjestad
$26.37

Average customer rating: 4.5 ISBN: 1886768676

by Peter Braun
$23.10

Average customer rating: 5.0 ISBN: 0789209047

by R. S. Yeoman, Kenneth Bressett

Average customer rating: 5.0 ISBN: 0794820379
$28.00



$13.99



Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden gems. Julie Miller's "Midnight and Lonesome" is dragged into the murky swamps as a driving ballad with eerie qualities that live up to its name. Miller and husband Buddy are also credited with the righteous-yet-rugged gospel of "Shelter Me." "Somebody's Got to Go," originally by Lonnie Johnson, gets a crisp, frisky makeover, and even Buffalo Springfield's crusty "For What It's Worth" takes a swim in the muddy waters of Benoit's home state, with a little help of some altered, post-Katrina lyrics. The guitarist lets his Cajun influences fly on the bouncy rhythms of "Sac-Au-Lait Fishing," the album's only original, and shifts into pleading Otis Redding mode for the aching blues ballad "I'm Guilty of Lovin' You." The Chicago-by-way-of-the-Delta shuffle of "One Foot in the Bayou" is also an apt description of Benoit's approach. He touches on a variety of Americana styles, yet always keeps part of himself planted firmly in the wetlands of his roots. --Hal Horowitz


2 Kickboxer
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