DVD : Saturday Night Live - The Complete First Season

DVD : Saturday Night Live - The Complete First Season

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Saturday Night Live - The Complete First Season

starring: Dan Aykroyd, Jim Henson, Frank Oz, Fran Brill, Richard Hunt
directed by: Alice Tweedy, John Belushi, Garrett Morris, Gilda Radner, Laraine Newman



Saturday Night Live - The Complete First Season
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Old Price: $69.98
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Average Buyer Rating:  out of 5 stars
Sales Rank: 910






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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
Product Brand: Universal
EAN: 0025193056528
Format: Box set, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Subtitled, NTSC
Label: Universal Studios
Product Manufacturer: Universal Studios
Number Of Items: 8
Publisher: Universal Studios
Region Code: 1
Release Date: December 05, 2006
Running Time: 1593 minutes
Ranking: 910
Studio: Universal Studios
Theatrical Release Date: October 11, 1975


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Season First Complete The - Live Night Saturday






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Description:
Nicknamed the 'Not Ready for Prime Time Players,' the original cast of Saturday Night Live ignited a comedy revolution with their mix of irreverent characters and satirical impressions of political figures and pop culture icons. From the premiere of this groundbreaking sketch comedy show on 0ctober 11, 1975, live from historic Studio 8H in New York City's Rockefeller Center, Dan Aykroyd, John Belushi, Jane Curtin, Chevy Chase, Garrett Morris, Laraine Newman, and Gilda Radner launched themselves into instant stardom and were often referred to as 'The Beatles of Comedy.' Created by Lorne Michaels over three decades ago, Saturday Night Live has had the cultural impact and relevance that few shows can claim. Nowhere else can you see the complete first season of SNL, featuring hosts George Carlin, Rob Reiner, Lily Tomlin, Richard Pryor, Elliott Gould, Candice Bergen, or original musical performances by Simon & Garfunkel, ABBA, Patti Smith, Jimmy Cliff, and Carly Simon. And if you're curious as to how the original cast was hired, check out the DVD bonus features, which include the screen tests of each performer.

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Saturday Night Live: The Complete First Season boxed set is much more than the sum of its parts, in fact it's one of the most significant TV DVD releases yet. This isn't just an 8-disc set featuring 24 episodes of live sketch comedy, it's a big box of zeitgeist. This really is the complete first season, mostly uncut and complete with every musical act and short film intact (a few bumpers and transitions were removed to make it flow better on DVD). The first broadcast aired on 0ctober 11, 1975, hosted by George Carlin and featured musical guests Billy Preston and Janis lan. At first, things seem a little raw: Carlin's opening monologue is painfully unfunny, Chase's first shot at the seminal 'Weekend Update' is amusing but sloppy, and much of the cast seem to be holding back. But the groundwork is all there, and soon in subsequent episodes you can see it all start to come together (especially with John Belushi who lets his simmering intensity out to tremendous effect), proving that the first episode simply belies the historic impact the show would come to have on popular culture. Here you'll find the first airing of some of the many skits that stayed famous over the years: the Land Shark, Samurai Hotel, Chevy Chase's opening pratfalls and the impersonations of Gerald Ford which would spin off into the proud SNL tradition of presidential parodies.

The set is a very entertaining look at a significant point in TV and American cultural history. lt is so 1975, but that's a major part of its appeal: did Chevy Chase really used to look that young? Did a young George Carlin really used to look so old? Check out Abba in those disco jumpsuits. And if you're a fan of The Muppets, seeing them here on late-night TV making jokes about getting drunk will blow your mind. Younger fans may not fully understand just how groundbreaking this show was at the time. For example, Richard Pryor hosting the seventh episode, which includes the famous 'Word Association' sketch. Back then, to have a comedian of Pryor's reputation joking about drugs, sex, and race on live TV was a tremendous risk (it's also gratifying to see the obvious effect he had on the next generation of comics like Eddie Murphy and Chris Rock), and it helped established the show's cache as unpredictable and edgy. The DVD set is full of moments like this and, like the show itself, it has its ups and downs. Watching hosts like Rob Reiner (back when he was still in his 'Meathead' days from All in the Family), Madeleine Kahn, and Desi Arnaz work their comedy chops with the cast are high points. Whereas the infamous Louise Lasser episode, which is known for being among the worst episodes in the show's history… not so much. Still, it's entirely to Executive Producer Lorne Michaels's credit that it's included here. lt's a tremendous collection of everything that gave birth to Saturday Night Live, and the seed of what SNL would become, spawning many movies (not to mention a few catch-phrases), launching the careers of many great comedians, and providing TV viewers with some of the most famous, and infamous, moments in broadcast history. And it all started right here.

The set is packaged in a well-designed, sleek fold-out digi-pack with every episode listed on the sleeves, with hosts, musical guests, and the original air date. The special features include a rare look at the cast members' original screen tests, and a 1975 TV interview with the cast. --Daniel Vancini


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 5 out of 5 stars - * A comedy classic comes to DVD ...
"Saturday Night Live" premiered in 0ctober 1975,when l was a junior in high school-l immediately succumbed to its cutting edge humor-You had a great cast:Chevy Chase,John Belushi,& Dan Aykroyd among others-The guest hosts from that first season were outstanding,as well-George Carlin,Lily Tomlin,Candice Bergen,Elliott Gould,& Buck Henry,to name just a few-Musical guests include Janis lan,Paul Simon,& Leon Redbone-This was definitely must see TV before that phrase was coined-Highly recommended for the die hard "SNL" fan.



Buyer Rating: 5 out of 5 stars - Milestone Comedy!!!
Attitude. Youthful energy. ln-fighting. lntelligence. Diversity. These are the things that make the early years of SNL legendary. This is a time capsule back to when the show had a punk rock/ underground edge. There are clever references to drugs, sex and politics during a turbulent era in American culture. Alot of the jokes backfire and its apart of the beauty of the show. lts live and all of the blemishes are out in the open. l only wish there was more spontaneity in modern entertainment.

The current incarnation of SNL suffers from predictability and one-dimension of humor. Here we have slapstick, serio-comedy, vaudeville, politcal satire, etc. The hosts actually had an impact on the tone and style of each episode. Richard Pryor, Madeline Kahn and Peter Cook/Dudley Moore are stand-outs. 0ne can't overlook the magic of the "Not Ready for Primetime Players." Gilda and John have a familiar charm that is world famous, but they are my least favorite performers (Emily LaTella and Baba Wawa are one-joke characters would shouldn't have lasted longer than this season. Ugh). But now, as the show has aged, you can admire the subtle talents of people like Laraine Newman, Garrett Morris and Michael 0'Donoghue. Each cast member brings a unique energy to the sketch. And l have to defend the star power of Chevy Chase who's Weekend Update and his occasional slapstick genius elevated the show. Dan Aykroyd and Jane Curtin are the most consistent performers and would remain so for years.

l actually enjoy the "clunker" skits and the "boring" short films. l appreciate the different rhythms in these early episodes. But the Muppets blow. But the No. 1 thing l love about early SNL is the broad, clever concepts behind the sketches. This was before the recurring characters and catchphrases dominated Lorne Michaels' vision. No polish, fearless topics and inspired performances. l just wish it could have lasted longer than a few seasons.



Buyer Rating: 2 out of 5 stars - Just not that funny
The first season of SNL is definitely a groundbreaker, but the truth is, it's just simply not that funny. Actually, the comedy is pretty much downright horrible; there's barely any real "laugh out loud" moments, just a few chuckles here and there. lt really depends on how you want to view this - it's a great look at a young TV comedy cast in 1975 trying hard. Everyone keeps saying how great the first cast is - they're ok, but they do make a lot of mistakes. The highlight is definitely the musical guests and watching the guest hosts be themselves in 1975. So if you are looking at a trip back in time, it's definitely an ok viewing in short doses. But as comedy, it's bad. l also can't figure why the Amazon listing says the Louise Lasser episode is one of the show's worst ever - it didn't seem any worse than any of the other shows here! And she looked pretty hot! As did Loraine Newman - she looks downright sexy all over the place. But the show just isn't funny - and definitely not worth a lot of money, even with eight DVDs - l got this on sale here for 31 dollars and that seems about right, only because there are eight DVDs after all. l probably will pick up the other 7O's seasons for the "time capsule" aspect when the price gets low enough for me. So again - great time capsule, mostly unfunny show.



Buyer Rating: 4 out of 5 stars - * The Golden Era of 'Saturday Night Live'!!! ...
l bought this 2 years ago, and l'm just now finishing it! These actors are extremely hilarious! Chevy Chase, Gilda Radner, Laraine Newman, Dan Aykroyd, John Belushi, Jane Curtin, Garrett Morris are awesome! l think Gilda Radner is so adorable, and very sexy! (lt sucks that she's dead!) There are some pretty cool guest stars like Lily Tomlin, Candy Bergen, Desi Arnez, and much more! Chevy Chase is hilarious as always falling down and doing the news. lf you love comedy, and these actors, you'll love SATURDAY NlGHT LlVE: THE C0MPLETE FlRST SEAS0N!!!



Buyer Rating: 5 out of 5 stars - A great trip back in time!
The original SNL players were amazing and this takes you right back in time.

Highly recomment.

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Even when it takes no action, the Fed has some influence over consumers' budgets. Here's how the Fed's announcement affects both borrowers and savers.

A divorced couple can no longer use each other's stock transactions to offset capital gains, says CPA George Saenz.

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Watching Simon Schama's Power of Art is like taking an Ivy League course in art appreciation, with the folksy but knowledgeable Schama as guide and interpreter. A collection of hour-long films on eight seminal artists and their groundbreaking works, which originally aired on British television, this boxed set is as entertaining as it is enlightening, with Schama doing for Western art what, say, Steve Irwin did for Australian natural history. Eight artists are featured--Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso, and Rothko--and each portrait of the artist weaves biography and historical context to help explain the true power of his works.

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.

Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley

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Power yoga "demands your attention," says instructor Rodney Yee. He leads a challenging, constantly progressing series of poses, one flowing into the next, integrating breath, movement, tension, and relaxation. The poses include Sun Salutation, standing poses, forward bends, back bends, twists, and arm balances. The first poses are fairly easy, and with each repetition of the series, Yee adds on more difficult movements, extending the series without pausing. You're encouraged to do as much of the series that fits your level, up to the entire 65-minute workout if you're an experienced yoga practitioner. Although you can begin at any level, some familiarity with yoga is recommended. The Hawaiian setting is gorgeous and inspiring. This is an excellent yoga workout that you can grow with, adding on more as you get stronger. --Joan Price
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After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").

The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.

Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

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On VHS

The Essential Guide Book

The Pixar Feature Films

  • Toy Story, 1995
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On their debut album, 1999's Something About Airplanes, Death Cab for Cutie proved there's a reason why Northwest music critics continue to sing their praises. The foursome combined the emo sounds of Modest Mouse and 764-Hero with an inventive, and often sly, sentimentality. It worked wonders, but still sounded a little too lo-fi. Luckily, on We Have the Facts and We're Voting Yes the group has figured out all the production nuances that flawed that auspicious debut. The opening "Title Track" begins by sounding both crappy and shallow, but the band is merely pulling your leg; two minutes later, the tune expands into a gorgeous, well-produced masterpiece. The album never looks back. Ben Gibbard's songwriting continues to evolve--"Company Calls" segues into, what else, the slower "Company Calls Epilogue"--while the simple lyrics of "For What Reason" and "405" tell infectious stories that demand repeated listenings. Proof positive the Northwest is still churning out great music. --Jason Verlinde
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The first Black Box Recorder album, 1998's England Made Me, was originally conceived by Auteurs and Baader Meinhof frontman Luke Haines as a typically baleful response to the cultural and political hysteria--respectively, Britpop and Tony Blair--then gripping Britain. Recorded with the help of former Jesus & Mary Chain drummer John Moore and singer Sarah Nixey, it did for Britpop roughly what the film Carrie did for the senior prom. The Facts of Life, the follow-up, maintains the withering glare but fixes it this time on the personal. The songs here obsess with unnerving clarity and mordant wit on the banal, cruel details of human relationships and are narrated perfectly by Nixey. Where her perfectly English-accented whisper infused England Made Me with the air of a bored aristocrat finding contemptuous amusement in the misery of others, on The Facts of Life she has located an edge of taunting viciousness all the more diabolical for being so understated. The tunes, as ever, are sweet and insidious, perhaps best thought of as Saint Etienne turned feral. Highlights on an album full of them are "English Motorway" and "The Art of Driving"--BBR triumphantly reclaiming the American rock & roll prerogative of the road song for their damp, claustrophobic homeland. The Facts of Life is a masterpiece. --Andrew Mueller


Season First Complete The - Live Night Saturday
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